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The Okinawan Influence

The Okinawans had always termed the Martial Arts as "Te" which means hand. During this period (1609-1903) "Karate" meaning "hands of China" replaced the word "Te" (during the latter part of the 19th century) until the Chinese character which denoted "hands of China" or "China Hand" (the latter being more correct) was changed by the Japanese to their character which meant "empty hand".

This change (officially dated to 1923) angered many of the Okinawan masters who were proud of the term designating their fighting style, they did not wish to change to the new character.

However, there was great pressure by the Japanese, and the masters very reluctantly accepted the new character change. The change was spearheaded by a student of Chogun Miyagi named Nagashi Hanage of the Goju-Ryu style of karate. It was Chogun Miyagi himself who desired to make the change and compelled his disciple Nagashi Hanage to pursue the change with great vigor. This change gave a much greater meaning to the art in that the spiritual overcame the physical application of technique.

For further clarification, if the reader will observe the last two oriental characters on the right-hand side of the Parker System patch, you will note that these are the true Chinese characters referring to "empty" and "hand" respectively. This was done intentionally by Mr. Parker to honor the Chinese from which our system descends. It is not a mixture of Japanese and Chinese. This has always been a primary mistake of many students of the Kenpo system and others. It is due primarily to the fact that both the Chinese and Japanese character for "te" meaning hand, are identical.

This is the last character on the right-hand side of the Parker patch. Consequently, it is easy to mix the two or rather to think they are mixed when you look at both the Chinese and Japanese characters, the character for "kara" is different in both languages.

What's The Difference Between Kempo And Kenpo?

The only difference is in the translation of the Kanji to its English form. The rules of Kanji hold, that when a character (written word) ends in an "n," the "n" is pronounced when spoken; with the exception, that when the "n" is followed by another character (word), which begins with a "p," the two characters are unchanged in the written form and the "n" is pronounced "m". Ken-po follows this rule. So, if following the correct Kanji translation, it is spelled "Kenpo" and pronounced "Kempo". It is only in transliteration that Kenpo is written Kempo. Thanks to Mr. Will Tracy for the Kanji translation lesson.

The words Kenpo and Kempo are both pronounced the same and both mean "Law of the Fist." It's sort of like saying "Qi" or "Chi", "Gung" or "Kung".

Generally, though, the more "traditional" (lightly used) forms of Kempo use the "Kempo" form, while the more non-traditional modern or contemporary versions use the term "Kenpo".

Exploring the Rich Heritage of Okinawan Martial Arts

Okinawan martial arts, deeply rooted in centuries of history and tradition, stand as a testament to the resilience and ingenuity of the island's people. Known for their practicality, efficiency, and emphasis on personal development, these ancient fighting systems have captivated practitioners and enthusiasts around the world.

Originating from the Ryukyu Islands, Okinawan martial arts have a complex lineage, influenced by various cultural exchanges and historical events. Among the most renowned disciplines are Karate, Kobudo, and Toshu Jutsu, each offering unique insights into the island's martial heritage.

Karate, perhaps the most famous of Okinawan martial arts, traces its roots back to indigenous fighting methods developed on the island. Over time, it evolved into a refined system of striking, blocking, and grappling techniques, emphasizing both physical prowess and mental discipline. With its emphasis on kata (forms), kumite (sparring), and kihon (basics), Karate serves as a holistic path to self-improvement and self-defense.

Kobudo, meaning "ancient martial way," complements Karate by focusing on traditional weapons training. Practitioners learn to wield weapons such as the bo (staff), sai (truncheon), nunchaku (flail), and tonfa (handled club) with precision and skill. Through the study of Kobudo, students gain a deeper understanding of Okinawa's martial history and the practical applications of various implements in combat.

Toshu Jutsu, or Okinawan Te, represents the indigenous fighting arts of the Ryukyu Islands before the influence of mainland Japanese martial traditions. Characterized by close-quarters combat techniques, joint locks, and throws, Toshu Jutsu embodies the pragmatic approach of Okinawan warriors, who adapted their fighting methods to survive in a turbulent world.

Central to the practice of Okinawan martial arts is the concept of karate-do, or "the way of the empty hand." Beyond physical techniques, karate-do emphasizes moral and ethical principles, encouraging practitioners to cultivate humility, respect, and perseverance. It is this holistic approach to personal development that distinguishes Okinawan martial arts from mere combat systems.

Today, Okinawan martial arts continue to thrive both in their place of origin and across the globe. Renowned masters preserve and pass on their knowledge to future generations, ensuring that the legacy of these ancient fighting traditions endures. Through dedicated practice and study, practitioners of Okinawan martial arts not only hone their physical skills but also embody the timeless virtues of courage, integrity, and honor. In a world of constant change, the timeless wisdom of Okinawan martial arts serves as a guiding light, inspiring individuals to strive for excellence in both body and spirit.

The Okinawan Influence

Exploring the Rich Heritage of Okinawan Martial Arts

Available books on Kenpo